Architecture on Film: O.M.A. Rem Koolhaas

Dutch pioneer of the interface between culture and TV, Jef Cornelis, offers a feature length interview with Rem Koolhaas from the beginning of his career, in 1985.


04:00pm, Sunday, 14 January 2018


12:30pm, Saturday, 20 January 2018


Cinema 2
Barbican, Beech Street,
London EC2Y 8AE


Sunday 14 January, 4.00pm [SOLD OUT]

Saturday 20 January, 12.30pm [Extra screening]


O.M.A Rem Koolhaas + REM:
£16 (subject to availability)

AF Members:
£10.00 (Please contact AF for promotional discount code)


Young Barbican:

Tel (9am-8pm):
+44 (0)20 7638 8891

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Architecture on Film: Rem Koolhaas

A unique opportunity to view two portraits of architect Rem Koolhaas. Separated by 30 years, together the films – O.M.A. Rem Koolhaas (Netherlands, 1985, Jef Cornelis, 76 mins) and REM (USA, 2016, Tomas Koolhaas, 75 mins) – provide an intimate insight into the breadth of the architect’s influential and celebrated career, guiding us through his thinking and projects in his own words.

A limited number of specially priced combined-tickets (£16) are available for the viewing of both screenings, O.M.A. Rem Koolhaas and REM. The discounted price will automatically be given at the checkout, when booking tickets for both screenings at the same time.

O.M.A. Rem Koolhaas

A feature length interview with Koolhaas from the beginning of his career, by Dutch pioneer of the interface between television and culture, Jef Cornelis. Ten years after setting up OMA with Madelon Vriesendorp and Elia and Zoe Zenghelis, the practice had still not built anything – despite major and widely reported conceptual experiments, competition entries and as yet unrealised commissions.

In a black room, lit by the bulb of the slide-projector, Rem presents his early provocative projects, including the Berlin Wall-inspired Exodus (1972), the fable of the Floating Swimming Pool (1978), and the satirical Welfare Palace Hotel (1975-6). Over models and drawings, Rem then talks us candidly through his intense design work, and multiple setbacks, on OMA’s first commissions, such as The Netherlands Dance Theatre and urban planning for Amsterdam Noord, none of which had yet been realised.

Throughout the film the rigor of Rem’s thinking takes centre stage, mirrored through Cornelis’ editing into a monologue of fierce and relentless intelligence – a guide to Koolhaas as the architect of a radical “intellectual multinational”.

1985, Netherlands, Jef Cornelis, 76 mins